We made one decision early: the imagery had to be made by hand. An identity about real, personal change needed to show real change happening in physical materials, with results we couldn’t fully control.
So the work moved off the screen. We traced the wordmark in ink and submerged it in water. We used it to block the sun for cyanotypes. We dragged it across a scanner bed mid-scan. We cast it in ice from a silicone mould and photographed the letters as they melted.
Some experiments didn’t hold up. A copper patina test looked too much like paint drying, so we set it aside. The ones that worked became a library of real moments of change, each rendered in a deep Prussian blue.